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are to journey back to the 13th century to study the master artists of Florence in one of the most famous art collections in the world? How would you like to get up close and personal with Giotto, Raphael, Michelangelo, Bernini, Caravaggio and the Medici? What about traveling through time from the Gothic era, to the Renaissance, to the High Renaissance and finally to the Baroque? Well, read on to see how we spent our first day in the Renaissance City of Florence! And if florence vacationis in your travel plans, be sure to read this article for it not only provides a lesson in art history, it features helpful planning tips to help make the most of every vacation moment.
We started out the first day in Florence at the Uffizi Gallery at 8:30am, the time of our reservation. What do I mean by reservation? After reading this, you will understand fully. When we arrived at the Uffizi courtyard, the center of a giant “U” which is surrounded by the three wings of the museum, we found the entrance line stretching from Entrance #1 on one side of the street, winding down toward the Arno River and then back up the other side of the street to Entrance #3 where you actually enter the museum to begin your tour. If you don’t have a reservation in hand or are not part of a group, this line will eat up 2-3 hours of your day. This is precisely why we had ours. And to help you, I will explain how to get your reservations later. Needless to say, we bypassed the line and arrived at Entrance #3 where we picked up our actual tickets and proceeded to the museum entrance. We were inside in less than five minutes.
Before we begin our journey through the museum, let me share a short history lesson on the Uffizi Gallery. Established by the Medici in 1581, this world famous museum was originally commissioned by Cosimo I in 1560, the patriarch of the Medici family, and designed by Georgio Vasari, a very well known artist of the day and one of Cosimo’s favorites. The edifice was intended to serve as offices or uffizis for the high-ranking magistrates of Florence. Over time, the Medici amassed a large collection of artwork; either purchased or commissioned, and stored them here, some in especially elaborate rooms such as the Tribuna, the red walled octagonal shaped room that houses some of the Medici’s most prized collections. When the Medici fell out of power, Anna Maria Luisa, the last Medici heiress, established the museum through a family pact that stated all of her possessions were never to leave Florence and then opened up the museum to the public in 1765. The rest, as they say, is history.